Carol was born in Rhodesia in a small town called Fort Victoria in 1974. When she was young they moved around a lot, from Zimbabwe to Carletonville but they hated living there so after three years they moved to Swaziland . Carol was in grade six at the time when she went to boarding school in Barberton in South Africa .
After school Carol worked in a hotel in the Natal midlands for a year as she thought she wanted to go into hotel school. She then decided to continue with a B Com degree at the University of Pretoria as she did not enjoy hotel school. This lasted two years as she did not like this course either. Carol has always been creative in school and even got accepted to Durban tech to do fashion but decided to go for the B tech as all her friends were doing that.
Carol eventually ended up in London travelling and experiencing life and ended up working in Nando’s head office. Although quite not finding her passion yet Carol was proud she had travelled more than 33 countries already. Carol then returned to SA in 2005. Carol has always wanted to make jewellery as she had a strong passion for gemstones. In 2008 she did a 10 week course with Vassi at CPUT after which she joined the hobby class. After smelting silver for the first time Carol finally knew this was it!!!
It’s been three years down the line and carol has almost finished her course in jewellery design and manufacture and she says she will never look back as she loves everything about it.
Design philosophy:
One of the reasons Carol loves to make jewellery as she loves to make jewellery original, well thought out and comfortable. She believes a good design is a clever design. She wants her pieces to have some conceptual idea behind them. Carol is open to using different materials in her jewellery as well as rough cut stones and crystals.
Currently her theme is jewellery design is Energy. The energy and bond between jewellery and the wearer. The energy of the gemstones used, and the light transmitted by the gemstone. Carol would like to design a range of jewellery on sustainable jewellery but this may require a lot more thinking. In the future carol believes her jewellery will always reflect back to energy.
Influences:
Shapes in nature are a big influence for Carol, particularly spheres and swirls. You can see in the images below how swirls and spheres are used as well as elements of nature such as the tree pendant cut outs. Soft lines are preferred rather than hard lines. Influential designers for carol are Lidia Hirte, as her work with paper is very appealing to her and CPUT based designers Ida Elsje, Phillipa Green and Situ.
Innovation and contribution:
Carol does not yet believe she has made a substantial contribution to the world of design as she has only been in the industry a short while, but she hopes to make some contribution in the near future. She hopes that her first theme on energy will be the start to her contribution. Personally I think that even though Carol may not have contributed to the world of design she has definitely contributed to the world of design at Cput. There as never been a time when carol has been to busy to help someone else, whether being in design or manufacture or even drawing. Carol wins almost all the awards at the end of each year and there is no one else who deserves it more than her.
Marketing:
While studying carol has been replying on word of mouth as well as her blog: carolcalligaro.blogspot.com to market herself. Her next year plan is to launch a website and she hopes to sell her jewellery in various shops in cape town and joburg. Carol feels he has a great understanding for the UK market and hopes to sell her jewellery internationally. She will be doing a branding exercise at the end of the year as she would like to make bespoke jewellery under her name and ranged under more trendy brand names.
Materials:
Mostly silver and stones are used for now but in the future she hopes to use anything and everything. Wood in jewellery definitely appeals to carol as well as ceramics. Carol would also like to pursue a use of enamels as she feels it is under used in south African markets.
Techniques:
Carol will be using the techniques she has learnt at CPUT and try explore different techniques. Carol also wants to one day make the most perfect piece of jewellery and then smash it down with a hammer as she is tired of making ‘perfect’ jewellery. Is there really such as thing as perfect jewellery as in the market today making floured stones and mistake pieces are the most beautiful.
2nd year 6ring project
All Carols 6 rings were cast made made into the most original and beautiful designs. They defiantely have
elemenst of her passion for swirls in them. Personally my favourate is the one with the pearl in it.
i love the back of this pendant.
Carol made use of the back plate
by piercing out a design ( of a tree
as she loves trees) and this
just makes the pendant even more special
as its a detail thats hidden and can only
be seen if turned around. Most
jewellers would just put a full back plate
on and ignore the possibilities that
can be done.
front of pendant. you can see the use of
the rough stone and this compliments the
smooth highly polished silver.
mass production necklaces
eventhough we are all overloaded with work
Carol somehow find the time to MASS PRODUCE
necklaces for this particular organisation. even on this
many necklaces her quality is unbelieveable.
she has made so many she is a pro at it.
tree locket
the amount of detail that took place inside and out of
the locket is beautiful. it creates a 3D effect and the
blackening just compliments that. 